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Submissions WILL NOT be returned. We also accept submissions that have premiered elsewhere and that may have distribution agreements already in place. Multiple entries are allowed, however a separate entry form must be submitted for each. ENTRY LIABILITY The filmmaker holds the Martinique International Film Festival, its management, juries, subsidiaries, agents, sponsors, affiliates, and etc. The filmmaker certifies to have full rights. Producer will indemnify the organisers neuchattel the Festival against all claims, demands, costs, damages, expenses Rencontre regional legal fees), proceedings and losses resulting from the screening of the film at the Festival or from claims by any third parties. Out renclntre the official selections, an international neufhatel will select one winner in each category Anibsi feature, Documentary feature, Narrative short, Documentary short. One film will be labeled as 'best of the fest' and win the Martinique Snake Award. The value of the Martinique Snake Award equals 500 US dollar worth of submission fees with partner festivals (Venice Film Week, Hong Kong Arthouse Film Fesival. Martinique Snake Award (value 500 US dollar) Best Narrative Feature Film Best Documentary Feature Film Best Animated Feature Film Best Narrative Short Film Best Documentary Short Film Best Animated Short Film Best Underground Film Best Experimental FilmAll submissions are privately screened every quarter and evaluated by an international team of experts in the industry. Why submit to the Martinique International Film Festival. Submitting your work to any film festival isn't without Anibia. Most of the top tier film festivals require a world premiere. Submitting your film to a smaller festival, could result in having your film being neuhatel by the Anigis festivals. This is not the case when you Anibiis your film to the Martinique International Film Festival. Fact is that all films are being screened privately. When your film is being selected or awarded at the Martinique International Film Festival your premiere status will not be affected. The 2017 Winter selection will be announced on December 22nd, 2017. Narrative Short Film Martinique Snake Award Gretchen at the spinning wheel (Austria) by Magdalena Chmielewska What is pure imagination and what reality. Made under the auspices of Michael Haneke at the National Film and TV School in Vienna Filmakademie Wien. Best Narrative Feature Film Pa'am hai'ta yalda (Israel) by Natalie Kaplan NOA has unconventional relationships with her doctor, with her neighbor and with a young soldier. Sleepless, she wanders around, trying to find her place in the world, willing to do anything to get some warm attention. There started a journey of discovery about my place as a man and as a father through encounters and revelations. Best Documentary Short Film The Crossing (United Kingdom) by Shreepali Patel This emotionally charged multi-screen digital installation investigates the exploitation of hope and the black market economy of human trafficking. Her story unfolds through four interconnected screens with perspective shifting visuals and an intimate binaural sound design. The result is an intense, exploration of the destructive consequences of human trafficking through a heightened audio-visual experience. Best Animated Short Film Blue Light (United Kingdom) by Harriet Francis Croucher Emergency service personnel talk about the realities of Post Traumatic Stress Disorder, and its impact on their lives and their families. Best Experimental Film Litost (United States) by Rachel Silveria Litost is a film about a young man perturbed by the strange goings on outside his home. He soon realizes all was not as it seemed and seeks to learn more about the source of his former plight, only to discover it was much ado about nothing - or was it. She doesn't know how to keep on going, where to start. Until he decides to give her a hand. The situation has changed from democracy to a kind of military dictatorship. She is forced to leave Germany. After some time L. Run- a movie about trust, loneliness and the morality of betrayal. Documentary Feature Film Enemy of Islam. A Meeting With Nouri Bouzid (Italy) by Stefano Grossi Nouri Bouzid is the most important Tunisian film director. He has shown in his films everything that seems impossible to show inside an Arab country: homophobia, torture, political repression, patriarchy, religious fanaticism, antisemitism, sexual pathology. He has neglected nothing while remembering that in the cinema (as in real life) style is the most important thing: you must tell the stories that you dearly want to tell in the most prodigious way possible so that the spectators do not want to listen to anything else. Documentary Feature Film God is American (France) by Richard Martin Jordan Since the end of World War II, the people of Tanna, a remote island in the South Pacific in the archepelago of Vanuatu, idolize an American prophet. His name is John Frum. They pray to an American flag, awaiting his return. Narrative Short Film Breaker (Japan) by Philippe McKie In tomorrow's Tokyo, the technologically-enhanced body of a young mercenary hacker is overrun by a sentient data weapon. Wanted, the parasitic A. I becomes her only ally as she is chased across the city by those seeking to salvage it.